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critical anthology |
walter mac mazzieri |
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THE BOY FROM CA'
D'OLINA
by Ferruccio Veronesi
("Qui Modena", n. 2, Modena, February 1971)
This
time the present artist from Modena spreads from the pages of
popular illustrated magazines, from magazines specialized in art
and book reviews and from the video, but- above all- from the
bookshop windows where makes a fine show a prestigious volume
with the reproduction of the works by our artist, shrewdly explained
by well-known critics and essaysts. As you have already understood,
I'm talking about the painter from Pavullo Walter Mac Mazzieri,
23 years old, flowing hair and beard, thick lenses, cheecks changing
in the endless range of red because of the constant starts of
a shyness going beyond the limits of awkwardness.
In the volume Renzo Margonari ends his very clear essay recognizing
that Mazzieri "is one of the most unique cases in Italian
painting during the last ten years"; Enrico Crispolti confirms
that he is "a rare case of imaginative violence and concentration";
Enzo Fabiani (the art critic of "Gente") writes a love
song in verses for the canvas by the painter from Pavullo.Not
bad for a young guy aged 23. But, before success, how much work,
how much study, what a moving will to fulfill himself. I dedicate
Mac's biographical note- so articulated and varied that it could
give ideas for a novel- to the hippies who, only for having been
in conflict with the barber, believe they have reached a personality,
to the pale and ruffled dissenters who pretend to make revolution
but don't despise being maintained by rich parents.
Born at Cà d'Olina near Pavullo on 15th April 1947, he
attends the primary school here; but already in his school age,
he has to help his family: his father was maimed of an arm during
the war and there is little to laugh about with a pension of 14
thousand lire; with some horses his mother collects milk in the
country and takes it to the dairy in Montecenere; his elder brother
studies at Fiumalbo. And so little Mac goes for mushrooms with
his father and does other little services. Then the family moves
to Pavullo where the boy attends a secondary school. And here's,
as a curiosity for our false revolutionaries, Mac's day: he wakes
up at five to distribute, in the village bars, the cakes a pastry
cook gives him; at eight, he goes to school; after school he does
the washing up in a canteen and gets a meal for it; in the evening
he delivers milk door-to-door ( reward:a litre of the least alcoholic
white wine).
After the secondary school he attends for some months the "Fine
Arts" institute in Modena (as a guest of the friars' boarding
house in via Ganaceto), but he isn't at ease among people ("Freedom-he
tells Margonari- is living alone").
Come back home he works at the "Arredo" for a year using
smithies, files and hammers. For another year -paid by a local
entrepreneur who gives him only symbolic rewards- he makes Flemish
decorations on the "tondos" for furnishings: the right
thing to make his sight already short worse. At last the fellowship
with the sculptor Davide Scarabelli and the series of long journeys
through Europe and northern Africa. The list is long: all European
countries except those behind the Iron Curtain (because of visas
and passports) and Algeria, Morocco and Tunisia. It's the heroic
season for "Waltrin" from Olina: his busiest and most
formative season. In fact this wandering has a purpose:to meet
new people, to learn new customs but-above all-to visit galleries,
museums and artists everywhere. What a great school is the world.
But what a hard school is hitch-hiking, leaving with ten thousand
lire and, in his rucksack, a jar of honey made by his mother and
a holy picture for the emergencies.
The 40° temperature that attacks him in Spain with nobody
who accepts to give them accomodation because they haven't got
enough pesetas; the night spent in the open on the Biarritz beach
ignoring that the high tide would have laid a wet siege to them;
the small dolls bought in the department stores and resold at
a higher price after having painted them; the small drawings sold
during the eight stays in Paris; the drawings made on the square
asphalts and Biolchini (arrived to complete the group) who pretends
to be a benevolent passer-by and throws the first coin to break
the ice; the journey in Africa crossing Spain by a Fiat 500 that
has travelled 150,000 kilometres. Every time he gets back home
he is slimmer and feverish but with note-books full of notes,
with his eyes full of coloured images and new feelings to put
into his paintings.
Now Mac is on TV,books and newspapers; The managers of the art
galleries and collectors contend for him; but he remains "Waltrin"
from Cà d'Olina: a meek and a bit unsociable guy who believes
in life and lives in the name of art.
|
critical anthology |
walter mac mazzieri |
|